Hi all! I’ve missed this space so much, and I’ve missed the cathartic practice of writing. I’ve been journal-praying, but I haven’t devoted a ton of time to self-reflection. I wanted to catch you up on all-things spring/summer. I cannot believe it’s almost June! Where did the time go?! Currently, I’m reading a lot of pregnancy/parenting books. I haven’t shared these online much because it feels like it might be boring to the people who follow me, but maybe there are some other first-time moms or soon-to-be moms out there who would be interested.Read More
Hi all! As you may already know, I’ll be sharing the author interviews from the No Thanks We’re Booked podcast on this blog, but I am also hoping to share more author interviews aside from the pod.
Elliot Brooks is an AWESOME author I’ve had the pleasure of working with. I’ve loved getting to know her through editing her novel and BookTube (all links to find her on the internet below!). I don’t normally share about books I’ve worked on, but I’ve really loved how Elliot has marketed her book, and I think she has a lot of wisdom to share with aspiring authors.Read More
People sometimes ask me how I became an editor, and the first thing I usually say is by getting involved in an editing community.
You can form an editing group in any way you’d like, and sometimes smaller is better. You can create a more organic group or you can join a professional association. Put yourself out there and see what’s right for you!
Here’s why I think an editing community makes all the difference in your career as a book editor:Read More
I realized people stumbling upon my editing blog posts may not realize I’ve been talking about my life as an editor over on my YouTube channel. I’m overdue for another relevant video, but go ahead and hop over if you’re looking for more info on the best editing books, how I became an editor, and more!Read More
Oh hi, hello! I forgot to mention in this space that the team at BetaBooks interviewed me for their podcast, How Authors Work. BetaBooks makes it easy to share your book with beta readers and collect, search, and act on their feedback. The podcast has more to do with the process behind writing and the different ways authors make their work come to life.Read More
I wanted to share some exciting news. I'm joining the team* at The Reading List, an editorial agency created by Lindsey Alexander and her partner, Salvatore Borriello. I met Lindsey through the Editorial Freelancers Association a while back and was delighted to meet her when I moved back to Raleigh, NC. I'm honored to work alongside all of these incredible editors; I know I will learn so much from their work experience and skills.Read More
I said on my BookTube channel that I didn't have any resolutions or goals for 2017, but I've changed my mind in, oh, a day? I'm just a sucker for resolutions, you guys.
I wasn't always this way, but I'm finally coming around to the truth that I am a goal-oriented person. My downfall, however, is always my all-or-nothing goals. I tell myself I'm going all in or there's no point to it all, which is just silly. Thankfully, I don't feel that way about readathons or monthly TBRs, and reading in general.Read More
I’ve been thinking a lot about how the ebb and flow of scarcity versus abundance affects my entire life. This is a mind-set we’re taught to put on from an early age—one of those subtle rules we assign meaning to in some way or another, whether it’s scarcity-thinking of finances, possessions, time, friendships . . . it truly devours and gnaws away at us, to the point where abundance is always an arm’s length away.Read More
My coworkers made this amazing cake for me on my last day (all my favorite things).
I quit my job. This is a terrifying sentence to write, but I also feel electric. A year and a half ago, I devoted 100 percent of my time to freelance work, and I loved it. I had the dizzy, hopeful feeling that exciting new projects and experiences were waiting just around the corner.Read More
This past week, something unsettling happened. Well, to be real with you, a lot of unsettling things have happened recently: We uprooted and moved (back) to a hustling city we love, for starters. This place was our home, and we left it for a short time and have happily returned after three years.
This move left me a little shell-shocked (excuse the drama), stressed, and sick. I wasn’t prepared to dive into our “new” life, which happened to run head-first into our “old” life. Ah, but that’s another story for another time. . . .Read More
Perhaps the greatest thing I ever learned about writing came from my parents when I was young. Just five years old, I’d moved with my twin sister, brother, and parents to North Carolina. In those first few weeks, we saw the world through new child eyes. North Carolina was hilly; it was greener and quieter than where we lived in California or Iowa. One afternoon, when my father drove us on those small town streets, he asked my mother if the kids had ever seen roadkill. I don’t remember her words, but I imagine she scrunched up her nose and shook her head laughing.Read More
Whether you won NaNoWriMo this year and have a messy manuscript to show for it or you’ve worked tirelessly all year, carefully constructing your words to the end, every manuscript—no matter how tidy—needs an editing plan. Ask any author and he or she will agree: A first, second, third, or tenth draft is a brain-child, a labor of love. You may be the kind of author who would rather keep it hidden in your bedside drawer than let a scary, word-ripping vampire of an editor pry your story out of your dead cold hands.Read More
If you've gone through the self-editing check list after completing your novel, then it's time to (deep breath) *gently* hand over your manuscript to a professional editor. Listen. I know this is rough; your book is your baby.
You probably have a few misconceptions about editors. They're pretentious, snarky, scary monsters who will murder your manuscript with red ink, killing all of your darlings, judging every misplaced comma, and cackling at their computer screens when they get to write rejection letters (if you're submitting to a traditional publisher).Read More
The concept of writer’s block was one I never challenged—until I read Bird by Bird by Anne Lamott. She points out—beautifully, I might add—that a block of some kind suggests “that you are constipated or stuck, when the truth is that you’re empty.”
She peels back the layers to tell us that, perhaps, we’ve been looking at the problem of a lack of creativity from the wrong angle: “If your wife locks you out of the house, you don’t have a problem with your door.”Read More
If you’ve ever read a boring story, chances are you’ve seen the effects of Flat Character Syndrome firsthand—and it’s not pretty. In my last post, I talked about why flat characters are problematic, and how to determine if your own “darlings” are suffering the same fate. Simply put, flat characters are unrealistic. Their true emotions, conversations, struggles, motivations, and reactions don’t come across on the page. I mentioned that a few well-known symptoms of FCS include issues with point of view, inconsistencies with physical appearance, and a lack of goals, motivations, and fears.Read More
Hi, folks! I'm going to make this brief, but I just discovered a wonderful editor and speaker, Sarah Grey, who beautifully describes the author-editor relationship on her blog. Sarah was invited to speak at the second annual National Writers Union Writers' Conference, "Publish & Sell Your Work," at NWU's New York City headquarters.Read More
You’ve successfully pumped out the first (or second) draft of your novel—Bravo!
You deserve a cookie (no, really, completing a book is an impressive feat, no matter how rough it may be in its current stage!). If you’re trying to motivate yourself toward self-editing or searching for the right editor for your manuscript, don’t forget to stop and pat yourself on the back.Read More
The word flashback often causes many writing instructors and editors to say, "Eesh. Not this again." When handled carefully, flashbacks are effective storytelling techniques; however, using them with reckless abandon can significantly confuse readers.
My philosophy? Never throw out a potentially useful tool in your story. There's always a fine line to consider when utilizing flashbacks, just as with other storytelling techniques. Authors should always be careful not to use too many flashbacks, especially in the beginning of a novel. As a writer, you never want readers to ask, "Why didn't the author start here, in this setting or in this time?" Messing with chronology and pacing is no joke. You want readers to focus on the plot and characterization, not the order in which things occur or how certain information unravels.Read More